By Joe Bonomo
Released in 1979, AC/DC’s Highway To Hell was once the notorious final album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. formally chalked as much as “Death through Misadventure,” Scott’s dying has endlessly secured the album’s attractiveness as a partying primer and a bible for deadly habit, branding the album with the thrill chaos of alcoholic extra and its turn part, early death. the easiest songs on Highway To Hell in attaining Sonic Platonism, translating rock & roll’s transcendent beliefs in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum mattress, and insanely, recklessly ordinary yet enjoyable vocals.
Joe Bonomo moves a three-chord essay at the energy of youth, the sturdiness of rock & roll fandom, and the transformative houses of reminiscence. Why does Highway To Hell topic to someone past non-ironic teenagers? mixing interviews, research, and memoir with a fan’s standpoint, Highway To Hell dramatizes and celebrates a undying album that one critic stated makes “disaster sound just like the most sensible enjoyable within the world.”
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